¼Û°î´åÄÄÀ» ½ÃÀÛÆäÀÌÁö·Î      ¼Û°î´åÄÄÀ» Áñ°Üã±â¿¡ 

| ÇÁ·ÎÇÊ | ¹ø¿ª | Àϱâ | ÆíÁö | Ç¥Çö | È°¿ë | ±âÃâÁö | 2015 | 14(B) | 14(A) | 2013 | 2012 | 2011 | 2010 | 2009 | ½Ç¿ë | new | ¼º¹® | Q&A | »çÁø |

| ÁÖÀýÁÖÀý | ÀÚÀ۽à|







  µ¿½ÃÁ¢¼ÓÀÚ:     0151
 
ÀÛ¼ºÀÏ : 14/11/21
2015³âµµ ¼ö´É ¿Ü±¹¾î ¿µ¿ª 30¹ø Çؼ³
 ±Û¾´ÀÌ : songgok
Á¶È¸ : 4,986  
   2015-30.hwp (69.0K)


2015³â ¼ö´É ¿Ü±¹¾î ¿µ¿ª 30¹ø Á¤´ä ¹× Çؼ³ - ¼Õ¹ü½Ä
 
30. (A), (B), (C)ÀÇ °¢ ³×¸ð ¾È¿¡¼­ ¹®¸Æ¿¡ ¸Â´Â ³¹¸»·Î °¡Àå ÀûÀýÇÑ °ÍÀº? [3Á¡]
 
While the eye sees at the surface, the ear tends to penetrate below the surface. Joachim-Ernst Berendt points out that the ear is the only sense that (A)[fuses/replaces] an ability to measure with an ability to judge. We can discern different colors, but we can give a precise number to different sounds. Our eyes do not let us perceive with this kind of (B) [diversity/precision]. An unmusical person can recognize an octave and, perhaps once instructed, a quality of tone, that is, a C or an F-sharp. Berendt points out that there are few 'acoustical illusions' ¡ª something sounding like something that in fact it is not ¡ª while there are many optical illusions. The ears do not lie. The sense of hearing gives us a remarkable connection with the invisible, underlying order of things. Through our ears we gain access to vibration, which (C)[underlies / undermines] everything around us. The sense of tone and music in another¡¯s voice gives us an enormous amount of information about that person, about her stance toward life, about her intentions. * acoustical: û°¢ÀÇ
 
¨ç fuses ¡¦¡¦ precision ¡¦¡¦ undermines
¨è replaces ¡¦¡¦ diversity ¡¦¡¦ underlies
¨é fuses ¡¦¡¦ diversity ¡¦¡¦ undermines
¨ê replaces ¡¦¡¦ precision ¡¦¡¦ underlies
¨ë fuses ¡¦¡¦ precision ¡¦¡¦ underlies
 
1. ³»¿ëÇ®ÀÌ
(A) [fuse A with B]´Â ¡®AÀ» B¿Í °áÇÕ[À¶ÇÕ]ÇÏ´Ù¡¯¶ó´Â ÀǹÌÀÌ°í, [replace A with B]´Â ¡®A¸¦ B·Î ´ëüÇÏ´Ù¡¯¶ó´Â ÀǹÌÀÌ´Ù. µÚ¿¡ À̾îÁö´Â û°¢ÀÇ ¿¹°¡ ÃøÁ¤ ´É·Â°ú ÆÇ´Ü ´É·ÂÀ» °áÇÕÇÏ´Â ³»¿ëÀ̹ǷΠ¹®¸Æ¿¡ ¸Â´Â ³¹¸»·Î ÀûÀýÇÑ °ÍÀº fusesÀÌ´Ù. (B) diversity´Â ¡®´Ù¾ç¼º¡¯À» ÀǹÌÇÏ°í, precisionÀº ¡®Á¤È®¼º¡¯À» ÀǹÌÇÑ´Ù. À̾îÁö´Â ³»¿ë¿¡¼­ ¡®Ã»°¢Àû Âø°¢¡¯Àº °ÅÀÇ ¾ø´Ù°í ÇßÀ¸¹Ç·Î ¹®¸Æ¿¡ ¸Â´Â ³¹¸»·Î ÀûÀýÇÑ °ÍÀº precisionÀÌ´Ù. (C) underlie´Â ¡®~ÀÇ ±ÙÀú¿¡ ÀÖ´Ù, ~ÀÇ ±â¹ÝÀÌ µÇ´Ù¡¯¶ó´Â ÀǹÌÀÌ°í, undermine Àº ¡®~À» ÈѼÕ[¼Õ»ó]ÇÏ´Ù¡¯¶ó´Â ÀǹÌÀÌ´Ù. ¿ì¸® ÁÖº¯¿¡ ÀÖ´Â ¸ðµç °ÍÀÇ ±ÙÀú¿¡ ÀÖ´Â Áøµ¿À̶ó°í ÇØ¾ß ±ÛÀÇ È帧ÀÌ ÀÚ¿¬½º·¯¿ì¹Ç·Î ¹®¸Æ¿¡ ¸Â´Â ³¹¸»·Î ÀûÀýÇÑ °ÍÀº underliesÀÌ´Ù.
 
2. ±¸¹®Çؼ³
¨ç [While the eye sees at the surface, the ear tends to penetrate below the surface. Joachim-Ernst Berendt points out that the ear is the only sense that (A)[fuses/replaces] an ability to measure with an ability to judge.]    ¡Øat the surface:Ç¥¸é¿¡¼­ ¡Øtends to~:~ÇÏ´Â °æÇâÀÌ ÀÖ´Ù.(=have a tendency to)  ¡Øpenetrate:~¿¡ ħÅõÇÏ´Ù, ½º¸çµé´Ù. ¡Øbelow the surface:Ç¥¸é ¾Æ·¡·Î ¡Øpoints out:ÁöÀûÇÏ´Ù. ³ªÅ¸³»´Ù(indicate)  ¡Øthe only sense that~:~ÇÏ´Â À¯ÀÏÇÑ °¨°¨(¼±Çà»ç¿¡ the only°¡ ÀÖÀ¸¸é °ü°è´ë¸í»ç´Â Ç×»ó thatÀ» »ç¿ëÇÑ´Ù´Â °Í ¾Æ½ÃÁÒ? : thatÀº ÁÖ°Ý°ü°è´ë¸í»ç)  ¡Øfuse A with B: A¸¦ B¿Í À¶ÇÕ(°áÇÕ)ÇÏ´Ù. ¡Øreplace A with B:A¸¦ B·Î ´ëüÇÏ´Ù. ¡Øan ability to measure:ÃøÁ¤´É·Â. ¡Øan ability to judge:ÆÇ´Ü´É·Â ¡æ[´«Àº ´Ü¼øÇÏ°í, ±Í´Â º¹ÀâÇÏ´Ù]·Î Á¤ÀÇ ÇÏ°Ú½À´Ï´Ù.  ¡ØµÞ ¹®Àå º¸¸é ¡°Ã»°¢ÀÇ ¿¹°¡ ÃøÁ¤ ´É·Â°ú ÆÇ´Ü ´É·ÂÀ» °áÇÕÇÏ´Â ³»¿ë¡±ÀÌ ³ª¿ÈÀ¸·Î ´äÀº fuse°¡ µÇ°Ú³×¿ä.     ¢Ñ´«Àº Ç¥¸é¿¡¼­ º¸Áö¸¸, ±Í´Â Ç¥¸é ¾Æ·¡·Î ħÅõÇÏ´Â °æÇâÀÌ ÀÖ´Ù. Joachim-Ernst Berendt´Â ÀÚ½ÅÀÇ Ã¥¿¡¼­ ±Í´Â ÃøÁ¤ ´É·ÂÀ» ÆÇ´Ü ´É·Â°ú °áÇÕÇÏ´Â À¯ÀÏÇÑ °¨°¢ ±â°üÀ̶ó°í ÁöÀûÇÏ°í ÀÖ´Ù.
 
¨è [We can discern different colors, but we can give a precise number to different sounds. Our eyes do not let us perceive with this kind of (B) [diversity/precision]]    ¡Ødiscern:½Äº°ÇÏ´Ù. ºÐº°ÇÏ´Ù. ¡Øa precise number:Á¤È®ÇÑ ¼ýÀÚ ¡Ølet:»ç¿ªµ¿»ç, ¡Øperceive:Áö°¢ÇÏ´Ù. ¡Ødiversity:´Ù¾ç¼º(¨Ídiverse:´Ù¾çÇÑ) ¡Øprecision:Á¤È®¼º(¨Íprecise:Á¤È®ÇÑ)  ¡Øwith this kind of precision:ÀÌ·± Á¾·ùÀÇ Á¤È®¼ºÀ» °¡Áö°í ¡Ø¡°°è¼ÓÇؼ­ ´«Àº ´Ü¼øÇÏ°í ±Í´Â º¹ÀâÇÏ´Ù¡°´Â ³»¿ëÀ» °­Á¶ÇÏ°í ÀÖ½À´Ï´Ù.  À̾îÁö´Â ³»¿ëÀº ¹ØÀÇ ¨ê¹ø Áö¹®¿¡¼­  [¡®½Ã°¢Àû Âø°¢Àº ÀÖÁö¸¸ û°¢Àû Âø°¢¡¯Àº °ÅÀÇ ¾ø´Ù´Â ³»¿ëÀÓ]À¸·Î ÀûÀýÇÑ °ÍÀº precisionÀÓ.     ¢Ñ¼­·Î ´Ù¸¥ »ö±òÀº ¿ì¸®°¡ ºÐ°£ÇÒ ¼ö ÀÖÁö¸¸, ¿©·¯ ´Ù¸¥ ¼Ò¸®¿¡´Â Á¤È®ÇÑ ¡®¼ýÀÚ¡¯¸¦ ºÎ¿©ÇÒ ¼ö ÀÖ´Ù. ¿ì¸® ´«Àº ¿ì¸®°¡ ÀÌ·± Á¾·ùÀÇ Á¤È®¼ºÀ» °¡Áö°í Áö°¢Çϵµ·Ï ÇØ ÁÖÁö´Â ¾Ê´Â´Ù.
 
¨é [An unmusical person can recognize an octave (and, perhaps once instructed,) a quality of tone, (that is, a C or an F-sharp.)]     ¡ØAn unmusical person:À½¾Ç¿¡ ¼ÒÁúÀÌ ¾ø´Â »ç¶÷.(unmusical:ºñÀ½¾ÇÀûÀÎ, À½¾ÇÀ» ¸ð¸£´Â)  ¡ØrecognizeÀÇ ¸ñÀû¾î´Â an octave ¿Í a quality of toneÀÓ.  ¡Øperhaps once instructed:¾Æ¸¶µµ ÀÏ´Ü ¹è¿ì°Ô µÇ¸é(=perhaps if he is once instructed = being instructed)  ¡Øthat is:´Ù½Ã ¸»Çϸé, Áï(namely, so to speak, as it were)  ¡ØC or an F-sharp:C ¶Ç´Â F-sharp(ÀÌ°Å Çؼ®ÇÏ¸é ¹ÙºÎ^^ C ¶Ç´Â F-sharp ã¾Æ º¸¼¼¿ä^^)     ¢ÑÀ½¾Ç¿¡ ¼ÒÁúÀÌ ¾ø´Â »ç¶÷ÀÌ¶óµµ ÇÑ ¿ÁŸºê¸¦ ÀÎÁöÇÒ ¼ö ÀÖ°í, ¾Æ¸¶µµ ÀÏ´Ü ¹è¿ì°Ô µÇ¸é À½Á¤ÀÇ Æ¯¼º, ´Ù½Ã ¸»Çؼ­, µµ ȤÀº ¹ÝÀ½ ³ôÀº ¹Ù¸¦ ÀÎÁöÇÒ ¼ö ÀÖ´Ù.
 
¨ê Berendt points out that there are few 'acoustical illusions' ¡ª something sounding like something that in fact it is not ¡ª while there are many optical illusions. The ears do not lie.]   ¡Øpoints out:ÁöÀûÇÏ´Ù. ³ªÅ¸³»´Ù(indicate)  ¡Øthere are few 'acoustical illusions':û°¢Àû Âø°¢Àº °ÅÀÇ ¾ø´Ù.(acoustical illusions:û°¢Àû Âø°¢) ¡Øfew:(ºÎÁ¤)°ÅÀÇ ¾ø´Â ¡Øsomething (that is) sounding like something that (in fact) it is not (true):¾î¶² °ÍÀÌ »ç½ÇÀº ±×°ÍÀÌ ¾Æ´Ñ ¾î¶² °Íó·³ µé¸®´Â ÀÏ ¡çÀÌ ¹®Àå ÀÌÇØ °¡½Ã³ª¿ä?  ¡Øsounding~ÀÌ somethingÀ» ¼ö½ÄÇÏ°í ÀÖÀ¸¸ç, thatÀÌÇÏ°¡ ¼±Çà»ç something¸¦ ¼ö½ÄÇÏ°í ÀÖ½À´Ï´Ù.(sound like: ~ó·³ µé¸®´Ù.)¡¡¡Øoptical illusions:½Ã°¢Àû Âø°¢¡¡¡ê acoustical illusions  ¡¡¢ÑBerendt´Â ½Ã°¢Àû Âø°¢Àº ¸¹Áö¸¸ ¡®Ã»°¢Àû Âø°¢¡¯, Áï ¾î¶² °ÍÀÌ »ç½ÇÀº ±×°ÍÀÌ ¾Æ´Ñ ¾î¶² °Íó·³ µé¸®´Â ÀÏÀº °ÅÀÇ ¾ø´Ù´Â °ÍÀ» ÁöÀûÇÑ´Ù. ±Í´Â °ÅÁþ¸»À» ÇÏÁö ¾Ê´Â´Ù.
 
 
¨ë [The sense of hearing gives us a remarkable connection with the invisible, underlying order of things. Through our ears we gain access to vibration, which (C)[underlies / undermines] everything around us.]    ¡ØThe sense of hearing:û°¢  ¡Øa remarkable connection with:~°úÀÇ ÁÖ¸ñÇÒ ¸¸ÇÑ °ü°è(connection with~:~°úÀÇ °ü°è) ¡Øremarkable:ÁÖ¸ñÇÒ ¸¸ÇÑ, ÇöÀúÇÑ(=conspicuous, prominent. eminent, distinguished, noticeable, outstanding, noted, stand out)   ¡Øthe invisible, underlying order of things:º¸ÀÌÁö ¾Ê´Â ±Ù¿øÀûÀÎ »ç¹°ÀÇ Áú¼­(underlying:±Ù¿øÀûÀÎ, underlie:~ÀÇ ±ÙÀú¿¡ ÀÖ´Ù. ~ÀÇ ±â¹ÝÀÌ µÇ´Ù.)  ¡Øgain(get, have) access to:~¿¡ Á¢±ÙÇÏ´Ù. ¡Øvibration:Áøµ¿ ¡Øwhich:°ü°è´ë¸í»çÀÇ °è¼ÓÀû ¿ë¹ý(=and it(vibration)) ¡Øunderlie:~ÀÇ ±ÙÀú¿¡ ÀÖ´Ù, ~ÀÇ ±â¹ÝÀÌ µÇ´Ù. ¡Øundermine:~ÀÇ ¹ØÀ» ÆÄ´Ù. ~À» ÈѼÕÇÏ´Ù ¡Ø¿ì¸® ÁÖº¯¿¡ ÀÖ´Â ¸ðµç °ÍÀÇ ±ÙÀú¿¡ ÀÖ´Â Áøµ¿À̶ó°í ÇØ¾ß ±ÛÀÇ È帧ÀÌ ÀÚ¿¬½º·¯¿òÀ¸·Î underliesÀÌ ¿ÇÀº Ç¥ÇöÀÓ     ¢Ñû°¢Àº º¸ÀÌÁö ¾Ê´Â ±Ù¿øÀûÀÎ »ç¹°ÀÇ Áú¼­¿Í ¿ì¸®¸¦ ³î¶ó¿ï Á¤µµ·Î ¿¬°á½ÃÄÑ ÁØ´Ù. ±Í¸¦ ÅëÇؼ­ ¿ì¸®´Â ¿ì¸® ÁÖº¯¿¡ ÀÖ´Â ¸ðµç °ÍÀÇ ±ÙÀú¿¡ ÀÖ´Â Áøµ¿¿¡ Á¢±ÙÇÏ°Ô µÈ´Ù.
 
¨ì [The sense of tone and music in another¡¯s voice gives us an enormous amount of information about that person, about her stance toward life, about her intentions.]   ¡ØThe sense of tone and music: À½¾ÇÀû À½Çâ°ú À½Á¶¸¦ °¨ÁöÇÏ´Â °Í.  an enormous amount of:¾öû³­ ¾çÀÇ     ¢Ñ»ó´ë¹æÀÇ À½¼ºÀÇ ¾îÁ¶¿Í À½¾ÇÀû À½ÇâÀ» °¨ÁöÇÏ´Â °ÍÀº ±× »ç¶÷¿¡ ´ëÇØ, ±× »ç¶÷ÀÇ »î¿¡ ´ëÇÑ Åµµ¿¡ ´ëÇØ, ±× »ç¶÷ÀÇ ÀÇÇâ¿¡ ´ëÇØ ¾öû³­ ¾çÀÇ Á¤º¸¸¦ ¿ì¸®¿¡°Ô ÁØ´Ù.
 
3. ´Ü¾îÁ¤¸®
*surface:Ç¥¸é *penetrate:ħÅõÇÏ´Ù, ½º¸çµé´Ù *measure:ÃøÁ¤ÇÏ´Ù *fuse A with B: A¸¦ B¿Í À¶ÇÕ(°áÇÕ)ÇÏ´Ù. *replace A with B:A¸¦ B·Î ´ëüÇÏ´Ù. *diversity:´Ù¾ç¼º(¨Ídiverse:´Ù¾çÇÑ) *precision:Á¤È®¼º(¨Íprecise:Á¤È®ÇÑ)¡¡*discern:ºÐ°£ÇÏ´Ù, Â÷À̸¦ ½Äº°ÇÏ´Ù *unmusical:À½¾Ç¿¡ ¼ÒÁúÀÌ ¾ø´Â, À½¾Ç¼ºÀÌ ¾ø´Â *tone:À½Á¤, À½»ö *underlie:~ÀÇ ±ÙÀú¿¡ ÀÖ´Ù, ~ÀÇ ±â¹ÝÀÌ µÇ´Ù. *undermine:~ÀÇ ¹ØÀ» ÆÄ´Ù. ~À» ÈѼÕÇÏ´Ù.¡¡*underlying:±Ù¿øÀûÀÎ(fundamental) *illusion:Âø°¢, ȯ°¢(delusion:¸Á»ó) *optical:½Ã°¢ÀÇ *stance:ŵµ, ÀÚ¼¼
 
4. Àü¹®Çؼ®
´«Àº Ç¥¸é¿¡¼­ º¸Áö¸¸, ±Í´Â Ç¥¸é ¾Æ·¡·Î ħÅõÇÏ´Â °æÇâÀÌ ÀÖ´Ù. Joachim-Ernst Berendt´Â ÀÚ½ÅÀÇ Ã¥¿¡¼­ ±Í´Â ÃøÁ¤ ´É·ÂÀ» ÆÇ´Ü ´É·Â°ú °áÇÕÇÏ´Â À¯ÀÏÇÑ °¨°¢ ±â°üÀ̶ó°í ÁöÀûÇÏ°í ÀÖ´Ù. ¼­·Î ´Ù¸¥ »ö±òÀº ¿ì¸®°¡ ºÐ°£ÇÒ ¼ö ÀÖÁö¸¸, ¿©·¯ ´Ù¸¥ ¼Ò¸®¿¡´Â Á¤È®ÇÑ ¡®¼ýÀÚ¡¯¸¦ ºÎ¿©ÇÒ ¼ö ÀÖ´Ù. ¿ì¸® ´«Àº ¿ì¸®°¡ ÀÌ·± Á¾·ùÀÇ Á¤È®¼ºÀ» °¡Áö°í Áö°¢Çϵµ·Ï ÇØ ÁÖÁö´Â ¾Ê´Â´Ù. À½¾Ç¿¡ ¼ÒÁúÀÌ ¾ø´Â »ç¶÷ÀÌ¶óµµ ÇÑ ¿ÁŸºê¸¦ ÀÎÁöÇÒ ¼ö ÀÖ°í, ¾Æ¸¶µµ ÀÏ´Ü ¹è¿ì°Ô µÇ¸é À½Á¤ÀÇ Æ¯¼º, ´Ù½Ã ¸»Çؼ­, µµ ȤÀº ¹ÝÀ½ ³ôÀº ¹Ù¸¦ ÀÎÁöÇÒ ¼ö ÀÖ´Ù. Berendt´Â ½Ã°¢Àû Âø°¢Àº ¸¹Áö¸¸ ¡®Ã»°¢Àû Âø°¢¡¯, Áï ¾î¶² °ÍÀÌ »ç½ÇÀº ±×°ÍÀÌ ¾Æ´Ñ ¾î¶² °Íó·³ µé¸®´Â ÀÏÀº °ÅÀÇ ¾ø´Ù´Â °ÍÀ» ÁöÀûÇÑ´Ù. ±Í´Â °ÅÁþ¸»À» ÇÏÁö ¾Ê´Â´Ù. û°¢Àº º¸ÀÌÁö ¾Ê´Â ±Ù¿øÀûÀÎ »ç¹°ÀÇ Áú¼­¿Í ¿ì¸®¸¦ ³î¶ó¿ï Á¤µµ·Î ¿¬°á½ÃÄÑ ÁØ´Ù. ±Í¸¦ ÅëÇؼ­ ¿ì¸®´Â ¿ì¸® ÁÖº¯¿¡ ÀÖ´Â ¸ðµç °ÍÀÇ ±ÙÀú¿¡ ÀÖ´Â Áøµ¿¿¡ Á¢±ÙÇÏ°Ô µÈ´Ù. »ó´ë¹æÀÇ À½¼ºÀÇ ¾îÁ¶¿Í À½¾ÇÀû À½ÇâÀ» °¨ÁöÇÏ´Â °ÍÀº ±× »ç¶÷¿¡ ´ëÇØ, ±× »ç¶÷ÀÇ »î¿¡ ´ëÇÑ Åµµ¿¡ ´ëÇØ, ±× »ç¶÷ÀÇ ÀÇÇâ¿¡ ´ëÇØ ¾öû³­ ¾çÀÇ Á¤º¸¸¦ ¿ì¸®¿¡°Ô ÁØ´Ù.
 
¼Û°î´åÄÄ(songgok.com) - ¼Õ¹ü½Ä
 
   
 

Copyright ¨Ï 1998, songgok.com by Bum-Sik Son. update 2011, All rights reserved.