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  µ¿½ÃÁ¢¼ÓÀÚ:     068
 
ÀÛ¼ºÀÏ : 12/03/11
2011Çг⵵ ¼ö´É ¿Ü±¹¾î ¿µ¿ª 36¹ø Çؼ³
 ±Û¾´ÀÌ : songgok
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2011³â ¼ö´É ¿Ü±¹¾î ¿µ¿ª 36¹ø Á¤´ä ¹× Çؼ³ - ¼Û°î´åÄÄ(songgok.com)
 
36. ´ÙÀ½ ±ÛÀÇ ³»¿ë°ú ÀÏÄ¡ÇÏ´Â °ÍÀº?
 
Around 350 B.C. there lived in Greece a very famous painter named Apelles. It was his practice to conceal himself at previews of his paintings in order to hear the public¡¯s opinions of his masterpieces. At one such preview a bootmaker criticized the shoes in a painting on which Apelles had labored long and hard. After correcting the picture the painter arranged a second preview. This time the bootmaker began to criticize the anatomy of one of the characters. Apelles was unable to restrain himself, for he knew that the criticism was unjust and the man knew nothing about anatomy. From his hiding place Apelles shouted, ¡°Bootmaker, stick to your last!¡± From that time it has been the custom to ridicule the people who act like they know what they do not with the pointed caution, ¡°Stick to your last!¡±
 
¨ç ±â¿øÀü 350³â°æ ±×¸®½º¿¡ Apelles¶ó´Â ¹«¸íÀÇ È­°¡°¡ »ì¾Ò´Ù.
¨è Apelles´Â ½Ã¿¬È¸¿¡¼­ ´ëÁßÀÇ ÀÇ°ßÀ» µèÁö ¾ÊÀ¸·Á°í ÇÏ¿´´Ù.
¨é ±¸µÎÀåÀÌ´Â ApellesÀÇ ÀÛÇ°¿¡ ±×·ÁÁø ½Å¹ßÀ» ĪÂùÇß´Ù.
¨ê Apelles´Â ±×¸²À» ¼öÁ¤ÇÑ ÈÄ ´Ù½Ã ½Ã¿¬È¸¸¦ ¸¶·ÃÇß´Ù.
¨ë Apelles´Â ±¸µÎÀåÀÌÀÇ ÇغÎÇÐÀû Áö½ÄÀÌ Ç³ºÎÇÔÀ» ÀÎÁ¤Çß´Ù.
 
1. ³»¿ëÇ®ÀÌ
After correcting the picture / the painter arranged a second preview.¿¡¼­ Apelles °¡ ±×¸²À» ¼öÁ¤ÇÑ ¼ö ´Ù½Ã ½Ã¿¬È¸¸¦ ¸¶·ÃÇß´Ù´Â ¨ê°¡ ±ÛÀÇ ³»¿ë°ú ÀÏÄ¡ÇÔÀ» ¾Ë ¼ö ÀÖÀ½.
 
2. ±¸¹®Çؼ³
[Around 350 B.C. / there lived in Greece a very famous painter /(who was) named Apelles]
¡æ±â¿øÀü 350³â °æ, ±×¸®½º¿¡ Apelles¶ó´Â ¾ÆÁÖ À¯¸íÇÑ È­°¡°¡ »ì¾Ò´Ù.
 
[It was his practice to conceal himself / at previews of his paintings / in order to hear the public¡¯s opinions of his masterpieces] *it(°¡ÁÖ¾î)/to(ÁøÁÖ¾î) * conceal himself: ÀÚ±â ÀÚ½ÅÀ» ¼û±â´Ù(¼û´Ù)
¡æÀÚ½ÅÀÇ °ÉÀÛ(his masterpieces)¿¡ ´ëÇÑ ´ëÁßÀÇ ÀÇ°ß(the public¡¯s opinions)À» µè±â À§ÇØ ±×´Â ±×¸²À» ½Ã¿¬(previews)ÇÒ ¶§ ¼û¾î ÀÖ´Â ½À°üÀÌ ÀÖ¾ú´Ù.
 
[At one such preview / a bootmaker criticized the shoes / in a painting / on which Apelles had labored long and hard] *labor on:~¿¡ °øÀ» µéÀÌ´Ù * had labored: ±¸µÎÀåÀÌ°¡ ±×¸² ¼Ó ½Å¹ßÀ» ºñÆÇÇÑ °Í º¸´Ù È­°¡°¡ °øÀ» µé¿© ±×¸²À» ±×¸° °ÍÀÌ ´õ ÀÌÀüÀÇ ÀÏÀÓÀ¸·Î °ú°Å ¿Ï·á¸¦ ½è´Ù´Â Á¡¿¡ À¯ÀÇ.
¡æÇÑ ½Ã¿¬¿¡¼­(At one such preview) ÇÑ ±¸µÎÀåÀÌ(a bootmaker)°¡ Apelles°¡ ¿À·§µ¿¾È(long) Èûµé°Ô(hard) °øÀ» µéÀÎ ±×¸²¿¡ ÀÖ´Â ½Å¹ßÀ» ºñÆÇÇß´Ù.
 
[After correcting the picture / the painter arranged a second preview. / This time / the bootmaker began to criticize the anatomy of one of the characters]  *one of the characters: one of º¹¼ö¸í»ç: ~Áß¿¡ Çϳª£º⇢¡¡±×¸² ¼Ó µîÀåÀι° Áß¿¡ ÇѸí
¡æ±×¸²À» ¼Õº» µÚ(After correcting the picture) È­°¡´Â µÎ ¹ø° ½Ã¿¬(a second preview)À» ¸¶·ÃÇß´Ù. À̹ø¿¡µµ(This time) ±¸µÎÀåÀÌ´Â ÇÑ Àι°ÀÇ ÇغÎÇÐÀû ±¸Á¶¸¦ ºñÆÇÇϱ⠽ÃÀÛÇß´Ù.
 
[Apelles was unable to restrain himself, / for he knew / that the criticism was unjust and the man knew nothing about anatomy] *restrain oneself Âü´Ù, ÀÚÁ¦ÇÏ´Ù * ,for = because  *for he knew that~: ±×´Â that ÀÌÇϸ¦ ¾Ë¾Ò±â ¶§¹®¿¡ * ¿©±â¼­ thatÀ¸·Î ¿¬°áµÇ´Â Á־ µÎ °³°¡ Àֳ׿ä. Çϳª´Â the criticismÀÌ°í ´Ù¸¥ Çϳª´Â the manÀÔ´Ï´Ù. ¼­·Î º´·Ä°ü°è¸¦ ÀÌ·ç°í ÀÖÀ½¿¡ À¯ÀÇÇϼ¼¿ä.
¡æApelles´Â ÂüÀ» ¼ö°¡ ¾ø¾ú´Âµ¥, ±×´Â ±× ºñÆÇÀÌ ºÎ´çÇÏ°í(the criticism was unjust) ±× ³²ÀÚ´Â ÇغÎÇÐÀû ±¸Á¶¿¡ ´ëÇØ(about anatomy) ¾Æ¹«°Íµµ ¸ð¸¥´Ù´Â »ç½ÇÀ» ¾Ë°í ÀÖ¾ú±â ¶§¹®À̾ú´Ù.
 
[From his hiding place / Apelles shouted, ¡°Bootmaker, stick to your last!¡±]
¡æ¼û¾î ÀÖ´ø °÷¿¡¼­ ³ª¿Í(From his hiding place) Apelles´Â ¼Ò¸®ÃÆ´Ù. ¡°±¸µÎÀåÀ̾ß, ³×°¡ ÇÏ´ø ÀÏÀ̳ª Çضó.¡± 
 
¡Ø [stick to one's last]´Â "ÀÚ±âÀÇ Á÷ºÐ[º»ºÐ]À» ÁöÅ°´Ù, ¸ð¸£´Â ÀÏ¿¡ ¾µµ¥¾øÀÌ Âü°ß ÇÏÁö ¾Ê´Ù ¡æ ÁÖÁ¦ ÆľÇÇÏ´Ù, ³¡±îÁö ¹°°í ´Ã¾îÁö´Ù" ÀÇ ÀǹÌÀÔ´Ï´Ù. ¡Ø stick to:~À» ÁöÅ°´Ù, °í¼öÇÏ´Ù. ¡Ølast:Ⓝ±¸µÎ°ñ (½Å¹ßÀ» ¸¸µé°Å³ª ¼ö¸®ÇÒ ¶§ ¾²´Â, ¹ß ¸ð¾çÀÇ ¸ñÀç ¶Ç´Â ±Ý¼Ó µ¢¾î¸®). µû¶ó¼­ Stick to your last´Â [³ÊÀÇ ±¸µÎ°ñÀ̳ª ¿­½ÉÈ÷ °í¼öÇضó: ¾Æ´Âô ÇÏ´Ï ¸»°í ³Ê ÀÏÀ̳ª ¿­½ÉÈ÷ Çضó] ´Â Àǹ̸¦ °®°Ô µË´Ï´Ù
 
[From that time / it has been the custom to ridicule the people / who act / like they know / what they do not (know) / with the pointed caution, ¡°Stick to your last!¡±]
*it(°¡ÁÖ¾î) / to ridicule~(ÁøÁÖ¾î) *the people who act like they know: ¾Æ´Â°Íó·³ ÇൿÇÏ´Â »ç¶÷µé *what they do not (know):¾ËÁö ¸øÇÏ´Â °Í *with the pointed caution:ºø´í(³¯Ä«·Î¿î) °æ°íÀÇ ¸»·Î
 
¡æ±×¶§ºÎÅÍ(From that time) ÀÚ½ÅÀÌ ¸ð¸£´Â °Í(what they do not (know))À» ¾Æ´Â °Íó·³ ÇൿÇÏ´Â »ç¶÷(the people who act like they know)À» ¡°³× ÇÏ´ø ÀÏÀ̳ª °è¼ÓÇض󡱶ó´Â ºø´í °æ°íÀÇ ¸»·Î(with the pointed caution) Á¶·ÕÇÏ´Â °ÍÀÌ °ü½ÀÀÌ µÇ¾ú´Ù.
 
3. ´Ü¾îÁ¤¸®
*preview ½Ã¿¬, ½Ã»ç, ¹Ì¸®º¸±â *conceal ¼û±â´Ù, °¨Ãß´Ù *masterpiece °ÉÀÛ *bootmaker ±¸µÎÀåÀÌ *labor ¾Ö¾²´Ù, ³ë·ÂÇÏ´Ù, ³ëµ¿, ±Ù·Î *arrange ¹è¿­ÇÏ´Ù, Á¤¸®ÇÏ´Ù, Áغñ(°èȹ, ¸¶·Ã)ÇÏ´Ù *anatomy[ǝnǽtǝmi] ÇغÎÇÐ(Àû ±¸Á¶) *restrain oneself Âü´Ù, ÀÚÁ¦ÇÏ´Ù(restrain: »ï°¡´Ù, ¾ï´©¸£´Ù, ¾ïÁ¦ÇÏ´Ù) *unjust ºÎ´çÇÑ, ºÒ°øÁ¤ÇÑ(¡êjust) *ridicule ºñ¿ôÀ½, Á¶·ÕÇÏ´Ù *pointed »ÏÁ·ÇÑ, ³¯Ä«·Î¿î, µéÀÌ´í, ºø´ë°í ÀÖ´Â *caution Á¶½É, °æ°í *stick to one's last ÀÚ±âÀÇ Á÷ºÐ[º»ºÐ]À» ÁöÅ°´Ù, ¸ð¸£´Â ÀÏ¿¡ ¾µµ¥¾øÀÌ Âü°ß ÇÏÁö ¾Ê´Ù ¡æ ÁÖÁ¦ ÆľÇÇضó
 
4. Àü¹®Çؼ®
±â¿øÀü 350³â °æ, ±×¸®½º¿¡ Apelles¶ó´Â ¾ÆÁÖ À¯¸íÇÑ È­°¡°¡ »ì¾Ò´Ù. ÀÚ½ÅÀÇ °ÉÀÛ¿¡ ´ëÇÑ ´ëÁßÀÇ ÀÇ°ßÀ» µè±â À§ÇØ ±×´Â ±×¸²À» ½Ã¿¬ÇÒ ¶§ ¼û¾î ÀÖ´Â ½À°üÀÌ ÀÖ¾ú´Ù. ÇÑ ½Ã¿¬¿¡¼­ ÇÑ ±¸µÎÀåÀÌ°¡ Apelles°¡ ¿À·§µ¿¾È Èûµé°Ô °øÀ» µéÀÎ ±×¸²¿¡ ÀÖ´Â ½Å¹ßÀ» ºñÆÇÇß´Ù. ±×¸²À» ¼Õº» µÚ È­°¡´Â µÎ ¹ø° ½Ã¿¬À» ¸¶·ÃÇß´Ù. À̹ø¿¡µµ ±¸µÎÀåÀÌ´Â ÇÑ Àι°ÀÇ ÇغÎÇÐÀû ±¸Á¶¸¦ ºñÆÇÇß´Ù. Apelles´Â ÂüÀ» ¼ö°¡ ¾ø¾ú´Âµ¥, ±×´Â ±× ºñÆÇÀÌ ºÎ´çÇÏ°í ±× ³²ÀÚ´Â ÇغÎÇÐÀû ±¸Á¶¿¡ ´ëÇØ ¾Æ¹«°Íµµ ¸ð¸¥´Ù´Â »ç½ÇÀ» ¾Ë°í ÀÖ¾ú±â ¶§¹®À̾ú´Ù. ¼û¾î ÀÖ´ø °÷¿¡¼­ ³ª¿Í Apelles´Â ¼Ò¸®ÃÆ´Ù. ¡°±¸µÎÀåÀ̾ß, ³×°¡ ÇÏ´ø ÀÏÀ̳ª °è¼ÓÇضó.¡± ±×¶§ºÎÅÍ ÀÚ½ÅÀÌ ¸ð¸£´Â °ÍÀ» ¾Æ´Â °Íó·³ ÇൿÇÏ´Â »ç¶÷ À» ¡°³× ÇÏ´ø ÀÏÀ̳ª °è¼ÓÇض󡱶ó´Â ºø´í °æ°íÀÇ ¸»·Î Á¶·ÕÇÏ´Â °ÍÀÌ °ü½ÀÀÌ µÇ¾ú´Ù.
 
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